[105011] in Discussion of MIT-community interests
Explore the Glory of Single Asian Women..
daemon@ATHENA.MIT.EDU (Surprise Reward LLC)
Fri May 25 18:18:54 2018
Date: Fri, 25 May 2018 18:18:07 -0400
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To: <mit-talk-mtg@charon.mit.edu>
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Explore the Glory of Single Asian Women..
http://painrelf.bid/clk.119066-32683-2-27946-6263-12267-544baef5-0300
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A fetish for Asians comes out of a European tradition of fascination with the East, and a history of othering inhabitants of those regions. After the First Opium War in the 1840s, Western powers, like the United States, swarmed the port cities of China, Japan, and Korea, which sat on a lucrative trade route. As a result, the appetite of the Western middle class for Asian goods and art grew. Some of this art, like postcards and fans, featured sexualized depictions of geishas. The geisha was portrayed as a petite woman heavily made-up and richly dressed. The prominence of the provocative geisha image on trade goods fostered, in the eyes of Western men, the idea of the geisha and east Asian women as decorative, sexual objects. The image of the sexualized Asian woman in the United States was further solidified by the presence of the U.S. military in Asia during the Second World War, the Korean War, and the Vietnam war. Brothels formed in towns surrounding U.S. military bases, their primary clientele being U.S. soldiers. American men who may not have had preconceived notions about Asian women were drafted and sent to fight in Asia where they saw Asian women working in the sex industry. This representation of the Asian woman has persisted and grown into the stereotype of the sexualized Asian woman and the Asian fetish.Another well known stereotype of Asian women is that they are subservient, passive and quiet. Throughout history in the Western world, the image of an Asian women was 'geisha-like', meaning overly sexual but silent. Asian women are seen giving suggestive gazes but remaining quiet while seducing the man. This image persists today, along with the idea of Asian women being exotic and submissive. Asian women are often referred to as a 'china doll', meaning they are dainty and beautiful, but also meaning they have no feelings and are able to be controlled. In movies, television and media, this stereotypical representation of Asian women is of them being seen as objects rather than humans. Continuous exhibition of such in mainstream media has led to the idea of the "Asian fetish".In the afterword to the 1988 play M. Butterfly, the writer David Henry Hwang, using the term "yellow fever", a pun on the disease of the same name, discusses white men with a "fetish" for (east) Asian women. The term "yellow fever" describes someone who is inflicted with a disease, meaning that someone with an Asian fetish has a sickness. Hwang argues that this phenomenon is caused by stereotyping of Asians in Western society. Other names used for those with an Asian fetish are rice kings, rice chasers and rice lovers.The slang term used for a gay man, usually white, who exclusively dates men of Asian descent is "rice queen"
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<span style="font-size:7px;color:#ffffff;"> A fetish for Asians comes out of a European tradition of fascination with the East, and a history of othering inhabitants of those regions. After the First Opium War in the 1840s, Western powers, like the United States, swarmed the port cities of China, Japan, and Korea, which sat on a lucrative trade route. As a result, the appetite of the Western middle class for Asian goods and art grew. Some of this art, like postcards and fans, featured sexualized depictions of geishas. The geisha was portrayed as a petite woman heavily made-up and richly dressed. The prominence of the provocative geisha image on trade goods fostered, in the eyes of Western men, the idea of the geisha and east Asian women as decorative, sexual objects. The image of the sexualized Asian woman in the United States was further solidified by the presence of the <a href="http://painrelf.bid/clk.119066-32683-0-27946-6263-12267-30e2b182-0300"><img src="http://painrelf.bid/c6ae665c29da3b86f0.jpg" /><img height="1" src="http://www.painrelf.bid/clk.119066-32683-14-27946-6263-12267-08b65eaa-0300" width="1" /></a>U.S. military in Asia during the Second World War, the Korean War, and the Vietnam war. Brothels formed in towns surrounding U.S. military bases, their primary clientele being U.S. soldiers. American men who may not have had preconceived notions about Asian women were drafted and sent to fight in Asia where they saw Asian women working in the sex industry. This representation of the Asian woman has persisted and grown into the stereotype of the sexualized Asian woman and the Asian fetish.Another well known stereotype of Asian women is that they are subservient, passive and quiet. Throughout history in the Western world, the image of an Asian women was 'geisha-like', meaning overly sexual but silent. Asian women are seen giving suggestive gazes but remaining quiet while seducing the man. This image persists today, along with the idea of Asian women being exotic and submissive. Asian women are often referred to as a 'china doll', meaning they are dainty and beautiful, but also meaning they have no feelings and are able to be controlled. In movies, television and media, this stereotypical representation of Asian women is of them being seen as objects rather than humans. Continuous exhibition of such in mainstream media has led to the idea of the "Asian fetish".In the afterword to the 1988 play M. Butterfly, the writer David Henry Hwang, using the term "yellow fever", a pun on the disease of the same name, discusses white men with a "fetish" for (east) Asian women. The term "yellow fever" describes someone who is inflicted with a disease, meaning that someone with an Asian fetish has a sickness. Hwang argues that this phenomenon is caused by stereotyping of Asians in Western society. Other names used for those with an Asian fetish are rice kings, rice chasers and rice lovers.The slang term used for a gay man, usually white, who exclusively dates men of Asian descent is "rice queen"</span><br />
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