[110198] in Discussion of MIT-community interests
Marijuana Oil Now Legal (CBD)
daemon@ATHENA.MIT.EDU (CBD-Miracle Oil)
Sat Oct 27 06:55:21 2018
Date: Sat, 27 Oct 2018 12:54:56 +0200
From: "CBD-Miracle Oil" <assist@smartcrhudy.bid>
Reply-To: "Miracle CBD" <enlightenment@smartcrhudy.bid>
To: <mit-talk-mtg@charon.mit.edu>
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Marijuana Oil Now Legal (CBD)
http://smartcrhudy.bid/clk.2_9732_10526_277126_2633_4907_0300_f319f3ed
http://smartcrhudy.bid/clk.20_9732_10526_277126_2633_4907_0300_88484c7a
Sear studied Fine Art at Reading University and University College London, Slade School. In the late 1980s she worked primarily through installation, performance and film. Her photographic works were included in the 1991 British Council exhibition "De-Composition: Constructed Photography in Britain", which toured Latin America and Eastern Europe.
British Council touring Exhibition De-Composition, constructed photography in Britain. 1991–1998
Moments of Capture, Museum of Modern Art, Skopje, Macedonia
A Quality of Light, Office of Art project, Tate Gallery, St. Ives, 1997
Here to Stay, Arts Council of England purchases from the 1990s Lausanne, Switzerland, 1998
Je t’envisage, la disparition du portrait: Musée de L’Elysée,
About Face, Hayward Gallery, London, 2004
La Mirada Reflexiva, Espai D’Art Contemporani de Castellon, Spain, (with Robert Longo and Perejaume ), 2005
Nothing Is In The Place, Kraków (Photo month), 2010
In 1993 she received an Abbey Award at the British School at Rome. She won joint first prize for visual art at the National Eisteddfod in Wales in 2011, and was the recipient of an Arts Council of Wales Creative Wales Award to develop new work. Ffotogallery, Wales' national agency for photography published her first major monograph in 2012, Inside the View, which was nominated for best international photography book at Photo Espana. In 2013 she was awarded the Wakelin Award for her work Chameleon, which will remain part of the contemporary art collection at Glynn Vivian Art Gallery and museum.
She is represented by Klompching Gallery in New York, and is currently Reader in Photography and Fine Art at University of South Wales, Newport
Her work focuses on ideas of vision, touch, and the re-presentation of the na
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<span style="font-size:5px;color:#ffffff">Sear studied Fine Art at Reading University and University College London, Slade School. In the late 1980s she worked primarily through installation, performance and film. Her photographic works were included in the 1991 British Council exhibition "De-Composition: Constructed Photography in Britain", which toured Latin America and Eastern Europe. British Council touring Exhibition De-Composition, constructed photography in Britain. 1991–1998 Moments of Capture, Museum of Modern Art, Skopje, Macedonia A Quality of Light, Office of Art project, Tate Gallery, St. Ives, 1997 Here to Stay, Arts Council of England purchases from the 1990s Lausanne, Switzerland, 1998 Je t’envisage, la disparition du portrait: Musée de L’Elysée, About Face, Hayward Gallery, London, 2004 La Mirada Reflexiva, Espai D’Art Contemporani de Castellon, Spain, (with Robert Longo and Perejaume ), 2005 Nothing Is In The Place, Kraków (Photo month), 2010 In 1993 she received an Abbey Award at the British School at Rome. She won joint first prize for visual art at the National Eisteddfod in Wales in 2011, and was the recipient of an Arts Council of Wales Creative Wales Award to develop new work. Ffotogallery, Wales' national agency for photography published her first major monograph in 2012, Inside the View, which was nominated for best international photography book at Photo Espana. In 2013 she was awarded the Wakelin Award for her work Chameleon, which will remain part of the contemporary art collection at Glynn Vivian Art Gallery and museum. She is represented by Klompching Gallery in New York, and is currently Reader in Photography and Fine Art at University of South Wales, Newport Her work focuses on ideas of vision, touch, and the re-presentation of the na</span><br />
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